Jurriaan Molenaar

 

Biography

1968 born in Amersfoort, The Netherlands. Lives and works in Weesp.

1994-95 Rijksakademie, Amsterdam (postgraduate)

 

Solo Exhibitions

2012 Space, Light & Silence, Marian Cramer Projects

2010 Lessness, Marian Cramer Projects, Amsterdam

Transit (duo with Batykó Róbert), ACB gallery, Boedapest

Lessness, Voss gallery, Düsseldorf

2009 Jurriaan Molenaar, Art Amsterdam, stand Tanya Rumpff gallery

2008 Precisely that! (duo with Han Schuil), ACB gallery, Budapest

2007 Nightshift, Tanya Rumpff gallery, Haarlem

2006 Ablakok, ACB gallery, Budapest

2005 Unisono in duplo, Stedelijk Museum Schiedam

Logo Building (duo with Tobias Hauser), Fiebach & Minninger gallery, Cologne

2004 Passage, Fiebach & Minninger gallery, Cologne, cat.

Passage, Tanya Rumpff gallery, Haarlem

2003 Unbuilt, Tanya Rumpff gallery, Haarlem

2002 40% Architecture, INMO gallery, Los Angeles

2000 Holocene, Tanya Rumpff gallery, Haarlem

1999 Odyssee 2000, Fries Museum, Leeuwarden

1998 Flight 44, Tanya Rumpff gallery, Haarlem

1996 Ten Areas, Art & Project gallery, Amsterdam

Group Exhibitions

 

2014 Acquistitions 2008-2013, Stedelijk Museum Schiedam

2014 No Man’s Land (duo with Robert Batyko), Marian Cramer Projects

2013 Cool! Stedelijk Museum Schiedam

2011 Alumni Rijksakademie (duo with Tim Ayres), Marian Cramer Projects

2011 VOTH, Stedelijk Museum ‘s-Hertogenbosch

2011 After Zero, Borzo, Amsterdam

2010 25 years Tanya Rumpff gallery, last groupshow

Vienna Art Fair, stand ACB gallery

Art Amsterdam, stand galerie Voss

Art Rotterdam, stand Tanya Rumpff gallery

2009 This entire year the painting Outlook (100 x 220, 2001) hangs in the Dutch Parliament, The Hague

Collection Ron Klein Breteler, Stedelijk Museum Schiedam

Scherp gesneden/raak getypeerd, Tricot Winterswijk

2008 Intern & extern, Kunsthal 52, Den Helder

Exhibition 1, Tricot Winterswijk

2007 Growth. Acquisitions 2003-2007, Stedelijk Museum Schiedam

2006 Friends for life, Stedelijk Museum Schiedam

2004 4 Dutch Artists, ACB gallery, Budapest

Ten years Wim Izaksstipend, Dordrechts Museum

2003 Ansichten & Ausblicke, Fiebach & Minninger gallery, Cologne

The Seven Year Itch, Stedelijk Museum Schiedam

2002 The choice of 10 private collectors, De Beyerd, Breda, cat.

2001 Clean, W 139, Amsterdam

INMO gallery, Los Angeles

2000 Kapinos gallery, Berlin

1999 Wim Izaks Stipend 1998 (winner), Art Association Diepenheim, cat.

The Altena-Boswinkel Collection, Stedelijk Museum Schiedam,

cat.

1998 4 young artists, Nouvelles Images gallery, The Hague, cat.

The Bermuda Triangle, W 139, Amsterdam, cat.

1997 Password: Being, W 139, Amsterdam

1996 Collection OCÉ, Bonnefantenmuseum, Maastricht, cat.

Bibliography

2010 ‘Trendsetter Tanya Rumpff changes hunting-field’, Het Financieele Dagblad, April 30th

2009 Proven quality still sells, Het Financieele Dagblad, November 17th

Bruinsma, P., Creative talent Jurriaan Molenaar, Algemeen Dagblad, May 25th

2008 Takács, G., Jurriaan Molenaar, Manager Magazin (Hungary), June

Smolders, R., Bull’s eye, publication of the Tricot Winterswijk Foundation, May

2006 Heller, L., Balance between security and claustrophobia, Budapester Zeitung, September 4th

Sadée, T., Painting like an architect on LSD, NRC Handelsblad, September 8th

2005 Reinders, A., The eye keeps moving, as in Piranesi’s work, Het Parool, January 12th

Leij, M., Two views on the city, NRC Handelsblad, May 19th

Smets, S., Heavy and light, Rotterdams Dagblad, May 31st

2004 Galleryselection, NRC Handelsblad, December 16th

2001 Keijer, K., Cast shadows on the wall, Het Parool, March 16th

2000 Ankerman, K., Modern Ulysses, Het Financieele Dagblad,

November 25th

Hendriks, J., With ‘Holocene’ Jurriaan Molenaar is more dynamic than ever, Haarlems Dagblad, November 23rd

Keijer, K., Dazing panorama’s without horizon, Het Parool, November 30th

1999 Pontzen, R., Jurriaan Molenaar, Vrij Nederland, September

J.K., Dutch painter in Friedrichshain, Friedrichshainer, May

1998 Schumacher, R., Watching slowly, Het Parool, November 19th

Smallenburg, S., Jurriaan Molenaar, NRC Handelsblad, September 11th